Embracing Time

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Since the beginning of my "Écritures" series, through to works like "Merchant Body" and "Fall, Reveal, and Move Forward", my practice is grounded in a resolutely material approach. In an age dominated by the digital—where bodies, exchanges, and even memories are reduced to abstract data, intangible flows, or ephemeral images—I choose to reassert the concrete: the manual gesture, raw matter, and the physical trace.

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Écritures (Writings)

The tears in the cardboard, the play of light on the flutes, and the fragments of imaginary characters are not merely visual signs; they are the result of artisanal labor, where every cut, every tear, every layering leaves an indelible mark. Cardboard, a humble and recycled material, carries the history of its use—it is an object before it becomes a work of art, and it is this materiality that gives it its strength. By transforming it, I remind us that art, like humanity, needs substance to exist.

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Humanity

The insertion of silhouettes, fragments of bodies, emerges as a fragile presence—constrained, even wrapped, in the remnants of a commercial world. It is not a simple representation but the result of a physical transfer: my body, coated in matter, pressed onto the surface, leaving an organic and imperfect imprint. The artifacts of "Écritures", the random traces of paint, and the broken lines are not aesthetic details; they are evidence of the real. They remind us that resilience is not an abstract idea. It is embodied in the weight of the body, the texture of matter, and the persistence of gestures.

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This work contrasts the emptiness of screens with the roughness of paper, the density of paint, and the carnal presence of the body. It is not an image but a living, physical archive—a resistance to the gradual erasure of our experiences in the virtual.

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A Manifesto for the Tangible

In a world where everything can be duplicated, erased, or simulated, these pieces assert that some things can only exist in reality: the memory of materials, the trace of a gesture, or the presence of a body. They question us: What remains of us when everything becomes data? And they answer, with silent strength, through the persistence of matter. These cardboard remnants, traces of paint, and fragments of stories resist dematerialization.

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Sensory and Emotional Connection

This relationship with the concrete is a necessity. Faced with the volatility of the digital, my work seeks to reanchor art and humanity in the physical world, with its imperfections, scars, and fragile beauty. By pressing my body into the material, tearing the cardboard, and leaving traces of paint, I create works that cannot be reduced to pixels. They exist in space, in time, and in the memory of materials—as a reminder that our humanity, too, needs the concrete to persist.